When people talk about a photo telling a story I’m often not sure what the story is. This moment doesn’t so much tell as ask: who’s got the light on? What’s s/he doing early in the morning? The light beams are calling to our curiosity like whispers in the dark.
It’s another week before I have more shoots scheduled, but in the meantime the sky was pretty awesome tonight.
Sometimes the picture is enough.
A couple re-edits I did Super Bowl night from 2016 overlooking Phoenix.
Spent last night re-editing some landscapes I did back in 2016 in Lancaster, PA (Amish Country). I hadn’t been happy with them at the time but I’m much better with Lightroom now and the results show.
Lancaster, PA (2016)
As I await a new scheduled shoot (tomorrow! Woot!!) I scrounged up another photo with a reflection.
Downside to being between shoots is that I have to reach into the vault to find something to work on. Upside is sometimes you find a little gem. This park shot was from 3 years ago at Encanto Park when I’d been photographing one of the families I follow.
A momentary step away from my usual fare. Yesterday I did three pieces in color and costume and this was an extra portrait we did after completing her set piece. I love working with L because she’s so patient, creative, and supportive. Being a beautiful young woman is an added bonus.
This to me is a nearly perfect example of the word “moment.” He’s wrapped in himself, as with the grasses, and the rest of the world is just beyond to the horizon, but in this second he’s lost in immediate thought. Resonates with me because I spend a fair amount (too much) time “navel-gazing” as my father would have said.
All things in moderation.
I dislike showing off (at least consciously). But one of the points of the creative process is to make something that you love. I’ve been fortunate enough to create a few pieces that I’m in love with.
This is the latest one.
I’d not walked the ASU campus before, so when Alex suggested it I jumped at the chance. He showed me a few nooks and crannies and then we crossed over towards the arts area. This was a different kind of shooting for me because usually I just do portraits, the focus being more on the person. This shoot harkened back to something the photographer from whom I learned the most important lessons had said in 2015. He’d told me “You’re a competent landscape photographer, dude. Now you need to learn to introduce the figure.”
That’s what I did here. I saw the layout, set up the shot, and then asked Alex to walk through. I didn’t know until I’d edited it that we’d made a winner, but I love it. I hope you do too.